boobu ddha

Zen Dada
SEPTEMBER 1913
What need you, being come to sensebut fumble in a greasy tilland add the halfpence to the penceand prayer to shivering prayer untilyou’ve dried the marrow from the bonefor men were born to pray and save, pray and saveRomantic Ireland’s dead and goneIt’s with O’Leary in the grave, in the grave
Yet they were of a different kind,the names that stilled your childish playThey have gone about the world like windbut little time had they to prayfor whom the hangman’s rope was spunand what, God help us, could they save, could they save?Romantic Ireland’s dead and goneIt’s with O’Leary in the grave, in the grave
Was it for this the wild geese spread?The grey, grey wing on every tideFor this that all the blood was shed?For this Fitzgerald died?And Robert Emmett and Wolfe Tone- all that delirium of the brave, of the braveRomantic Ireland’s dead and goneIt’s with O’Leary in the grave, in the grave
Yet could we turn the years againand recall those exiles as they werein all their loneliness and painyou’d cry “Some woman’s yellow hairhas maddened every mother’s son!”They weighed so lightly what they gave, what they gaveBut let them be, they’re dead and goneThey’re with O’Leary in the grave, in the graveLet them be, they’re dead and goneThey’re with O’Leary in the grave, in the graveRomantic Ireland’s dead and goneIt’s with O’Leary in the grave, in the grave
lyrics: Mike Scott

painting: John O’Leary by John Butler Yeats

SEPTEMBER 1913

What need you, being come to sense
but fumble in a greasy till
and add the halfpence to the pence
and prayer to shivering prayer until
you’ve dried the marrow from the bone
for men were born to pray and save, pray and save
Romantic Ireland’s dead and gone
It’s with O’Leary in the grave, in the grave

Yet they were of a different kind,
the names that stilled your childish play
They have gone about the world like wind
but little time had they to pray
for whom the hangman’s rope was spun
and what, God help us, could they save, could they save?
Romantic Ireland’s dead and gone
It’s with O’Leary in the grave, in the grave

Was it for this the wild geese spread?
The grey, grey wing on every tide
For this that all the blood was shed?
For this Fitzgerald died?
And Robert Emmett and Wolfe Tone
- all that delirium of the brave, of the brave
Romantic Ireland’s dead and gone
It’s with O’Leary in the grave, in the grave

Yet could we turn the years again
and recall those exiles as they were
in all their loneliness and pain
you’d cry “Some woman’s yellow hair
has maddened every mother’s son!”
They weighed so lightly what they gave, what they gave
But let them be, they’re dead and gone
They’re with O’Leary in the grave, in the grave
Let them be, they’re dead and gone
They’re with O’Leary in the grave, in the grave
Romantic Ireland’s dead and gone
It’s with O’Leary in the grave, in the grave

lyrics: Mike Scott

painting: John O’Leary by John Butler Yeats

Bob Marley by Ben Heine
“Life and Jah are one in the same. Jah is the gift of existence. I am in some way eternal, I will never be duplicated. The singularity of every man and woman is Jah’s gift. What we struggle to make of it is our sole gift to Jah.”

Bob Marley by Ben Heine

“Life and Jah are one in the same. Jah is the gift of existence. I am in some way eternal, I will never be duplicated. The singularity of every man and woman is Jah’s gift. What we struggle to make of it is our sole gift to Jah.”

Highlight reel of 2-year old hoops sharpshooter has everything we want in a viral video.

And yes, I have to admit: seeing such accuracy on display from a child the age of my own boy does rouse my inner tiger dad.

“Honey, don’t put him to bed just yet! We need to practice!” 

On a positive tip, still Ruffin.

“Besides roaches and rats, we birth scholars. My daughter got a 4 in Italian, a proud father is what i be, a G’s what I was born. My stepping stones turn into stairs when I perform. My lessons form visuals, visible in a storm. Accept the wrong and live with the sh— you do in the morn.” -Guappy

The video above captures a recent moment from WBAI’s legendary Underground Railroad radio show, in which DJ 3D was joined by Guappy RuffinSmoothe da HustlerTony Steele, Jewels Anate and Neno Best. In this clip we see Guap and Smoothe get busy, build and destroy during their freestyle spots. Check out that fire from these Brooklyn originals, plus below, hear Guappy, Jewels and Steele on “Nothing to Lose” from the forthcoming Bucktown USA project produced by San Antonio slinger Maserati Marcus aka The Kid Mazi.

—Follow The Leader MGA rmx

Dig this brass attack on the Erik B and Rakim classic “Follow the Leader.”

via Modern Groove Assembly:

All Original Music written and arranged by Steve Catanzaro, featuring:

Hodges, James, and Smith, Vocals 
Oscar Brashear, Trumpet
Louis Taylor, Tenor Saxophone 
Stewart Killen, Percussion 
Sekou Bunch, Bass 
DJ Theory, Turntables
Steve Catanzaro, Keys and Programming
Joe Swafford, Additional Programming

Willowy street dancer Charles “Lil Buck” Riley has mesmerized audiences across the world, collaborated with Yo-Yo Ma and been featured in a Janelle Monáe video. Here the Memphis Jook master pays homage to Fred Astaire’s classic ceiling dance from the film Royal Wedding. As a new father, talents like Riley make me wonder if in addition to all the other things I should be doing, I should make it a priority to be a graceful as possible whenever my impressionable toddler is watching. Wouldn’t that be something!

New Orleans jazz casket via

New Orleans jazz casket via

Amazingly and inevitably, the directions to the new SF Jazz Center are the same as those countless have taken to get to NYC’s Carnegie Hall: “Practice.” And that got us wondering. A year ago “12-year old trumpet sensation” Gabriel Angelo started to blow up, with appearances on Ellen and this SF Chronicle video feature. He started a new blog off by setting bold practice time goals (that he’d presumably meet out on bustling Market St corners), scored a Yoshi’s gig, even. Still, I’d imagine he needs to put in a lot more woodshedding before we’d see him move on up to this instant crown jewel of west coast jazz venues. But it would be a blast to be proven otherwise.

(Source: liolia)

This Dizzy Gillespie portrait became an instant fave, the day I was introduced to the work of James Gayles via a friend who works with the Bay Area painter and illustrator at the Ethnic Arts Institute. Of the many brilliant homages to jazz figures that Gayles has created, this particular work sees the transformative power of the artist’s journey come through as expressively as a Bebop riff.

This Dizzy Gillespie portrait became an instant fave, the day I was introduced to the work of James Gayles via a friend who works with the Bay Area painter and illustrator at the Ethnic Arts Institute. Of the many brilliant homages to jazz figures that Gayles has created, this particular work sees the transformative power of the artist’s journey come through as expressively as a Bebop riff.